9 Billboard charting Alive!, Destroyer was the KISS album that brought them to the forefront of the mainstream and transformed them into global rock icons. 7 hit single “Beth.” Following the breakthrough success of 1975’s No. The album also showed the band’s growth as musicians and songwriters, experimenting with new sounds which came in the form of the softer side of songs like “Do You Love Me?,” and songs heavy with orchestral arrangements including “Great Expectations” and their Billboard No. In a contemporary review of Led Zeppelin III, Lester Bangs of Rolling Stone described "Celebration Day", along with " Out on the Tiles", as "production-line Zep churners that no fan could fault and no one else could even hear without an effort.For the recording of Destroyer, Bob Ezrin was brought in as KISS’s new producer, helping the band reach new levels, both sonically and creatively. Page performed "Celebration Day" on his tour with the Black Crowes in 1999, and another version performed by them can be found on the album Live at the Greek. This reissued version is slightly different from the one that was included on the 1976 album, in particular featuring a different guitar solo. However, when the album and the film were reissued in 2007 (the latter in DVD format), both featured the song. The album's accompanying film of the same name, released in 1976, did not include a live video of "Celebration Day". tour was recorded and included on their concert soundtrack The Song Remains the Same.
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Record producer Rick Rubin has said of the song: " feels like a freight train, even though it's not one of their heavier songs. "Celebration Day" was often played live in Led Zeppelin concerts from 1971 to 1973, and was returned to the band's setlist at the Knebworth Festival in 1979, where Page performed the song using his Gibson EDS-1275 double-necked guitar. On Zeppelin's 1971 concert tour of the United States, he would sometimes introduce it as "The New York Song". Robert Plant's lyrics were inspired by his initial impressions of New York City. The recording took place at Headley Grange, England, with the Rolling Stones' mobile recording studio. Unable or unwilling to re-record it, they used the synthesizer drone from the end of "Friends" to fill up the gap. Originally, one of John Bonham's drum tracks was to be used in the intro of "Celebration Day", but an engineer accidentally erased the recording. This connects the song musically with the preceding track on the album, " Friends", which ends with the same drone.
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The song starts with guitar chords played over a monotonic drone created by a synthesiser.